此組影像始於鄉野森林間一抹將空間劃開的蜘蛛絲，終於都市中心的窗外行道樹景觀。兩個場景間的影像作為一種黏著劑，試圖將這涵括鄉野、郊區、都市的一百三十公里，以地域的連續性揉合起來。

在這個語境下，影像生產是一種遊戲。在攝影系統的方框內，漫遊者擁抱著所有影響圖像的變因，一邊在不同的空間穿梭著，一邊將生產出來的影像群轉化為一個個自轉的影像生態系。

​

This group of images begins with the spider silk that divides the figure and the ground of forest scenery and ends with the cityscape that depicts the road and trees outside a city-center apartment's window. The images between the two scenes act as a kind of adhesive that tries to link the contexts of rural, suburban and downtown areas with their territorial continuity.

For Wei-Chen Li, image production is a game. As a player and observer, Li embraces all the variables that could affect the photos within the frame of the photographic system. While wandering in different spaces, he transforms the photograph groups or collections he has produced into eco systems of the images.